Microphones

  • AKG C3000 High-Performance Large-Diaphragm Condenser Microphone

    The AKG C3000 High-Performance Large-Diaphragm Condenser Microphone has been a studio and stage workhorse for nearly 20 years. With its switchable attenuation pad and low-cut filter enable high SPL up to 150dB and eliminate proximity effect, it is ready to go to work on vocals, electric and acoustic guitars, drum overhead and brass instrument miking.

    Features::

    Ultralow-noise electronics and switchable attenuation padenable
    High dynamic range and allow SPL up to 150dB
    Switchable low-cut filter eliminates proximity effect
    Classic sound made affordable: gold-sputtered one-inch capsule tuned in the tradition of AKG´s sonic expertise
    Heavy-duty die-cast metal housing provides maximum protection on stage and in the studio

  • AKG C391 B Microphone Capsule and Pre-Amp

    The AKG C391 B high-performance small-diaphragm condenser microphone is a pairing of the of the CK91 and the SE300 pre-amplifier. The polar pattern of the CK91 is cardioid, making it widely applicable in broadcast settings.

    The C391 B also features the ability to quickly interchange its capsule with one of the other capsules of the Blue Line Series which all feature the Modulock coupling system, along with self-cleaning contacts for reliability and longevity. The C391 B provides a switchable bass roll-off/attenuator with three positions: flat, 75Hz and 10db attenuation.

  • AKG C414 XLII Reference Multipattern Condenser Microphone

    Short Term Promo Discount Price!

    The AKG C414 XLII Reference Multipattern Condenser Microphone captures the classic quality of the C12 sound, legendary in the studio and on the stage, for vocals and instruments, since 1953. It is distinct from the C414 XLS in its capsule, which replicates the slight presence boost and impressive spatial reproduction of the classic AKG C12 microphone’s sonic character.

    With a choice of nine polar patterns and an LED display for overload peaks, this mic is ready for anything. For moments when that is a bit overboard, the controls can also be turned off for simplicity and still deliver high linearity and beautiful neutral tone with its large-diaphragm versatility.

    Features::

    Nine selectable polar patterns for the perfect setting for every application
    Three attenuation levels (-6,-12,-18dB) for close-up recording or high-output sources of up to 158dB SPL
    Three different switchable bass-cut filters to reduce wind noise, subsonic noise or proximity effect
    Overload warning with audio peak hold LED to detect shortest audio peaks

  • AKG C414 XLS Reference Multipattern Condenser Microphone

    Short Term Promo Discount Price!

    The AKG C414 XLS Reference Multipattern Condenser Microphone has been a legend in the studio and on the stage, for vocals and instruments, since 1971. With a choice of nine polar patterns and an LED display for overload peaks, this mic is ready for anything. For moments when that is a bit overboard, the controls can also be turned off for simplicity and still deliver high linearity and beautiful neutral tone with its large-diaphragm versatility.

    Features::

    - Nine selectable polar patterns for the perfect setting for every application
    - Three attenuation levels (-6,-12,-18dB) for close-up recording or high-output sources of up to 158dB SPL
    - Three different switchable bass-cut filters to reduce wind noise, subsonic noise or proximity effect
    - Overload warning with audio peak hold LED to detect shortest audio peaks

  • AKG CK91 High Performance Cardioid Condenser Microphone Capsule

    The AKG CK91 High Performance Cardioid Condenser Microphone Capsule is part of the Blue Line Series of high performance, small diaphragm, interchangeable, condenser microphone capsules which work exclusively with the SE300 B pre-amp module. The five interchangeable capsules in the series include the CK91,CK92,CK93, CK94 and CK98 and are distinguished by their polar patterns. This CK91 capsule has a supercardioid polar pattern which is the generalist of the series. Modulock coupling allows for quick changing of the all the capsules in this Blue Line Series and self-cleaning contacts ensure reliability and longevity.

    The CK91 microphone is of rugged construction, with a smooth and well-balanced frequency response, high gain before feedback, a supercardioid polar pattern and consistent suppression of off-axis sound, making it ideal for live and studio broadcast.

    Specifications::

    Audio frequency bandwidth: 20 to 20000 Hz
    Equivalent noise level: 17 dB-A
    Sensitivity: 10 mV/Pa
    Signal to Noise: 77 dB-A
    Electrical impedance: 200 Ohms
    Polar Patterns: Supercardioid

  • AKG CK92 High Performance Omnidirectional Condenser Microphone Capsule

    The AKG CK92 High Performance Omnidirectional Condenser Microphone Capsule is part of the Blue Line Series of high performance, small diaphragm, interchangeable, condenser microphone capsules which work exclusively with the SE300 B pre-amp module. The five interchangeable capsules in the series include the CK91,CK92,CK93, CK94 and CK98 and are distinguished by their polar patterns. This CK92 capsule has an omnidirectional polar pattern which is good at reducing proximity effect and that makes it ideal for chorus and solo work in sound studios and TV studios. Modulock coupling allows for quick changing of the all the capsules in this Blue Line Series and self-cleaning contacts ensure reliability and longevity.

    The CK92 microphone is of rugged construction and with a neutral presentation of sources in its ambient sound field and the omnidirectional polar pattern of its non-directional pickup, it is ready to do to work close-miking instruments or collecting the ambience of a whole room.

  • AKG CK93 High Performance Hypercardioid Condenser Microphone Capsule

    The AKG CK93 High Performance Hypercardioid Condenser Microphone Capsule is part of the Blue Line Series of high performance, small diaphragm, interchangeable, condenser microphone capsules which work exclusively with the SE300 B pre-amp module. The five interchangeable capsules in the series include the CK91,CK92,CK93, CK94 and CK98 and are distinguished by their polar patterns. This CK93 capsule has a hypercardioid polar pattern which provides greater attenuation of off-axis sound. Modulock coupling allows for quick changing of the all the capsules in this Blue Line Series and self-cleaning contacts ensure reliability and longevity.

    The CK93 microphone is of rugged construction, with a smooth and well-balanced frequency response, high gain before feedback, and a supercardioid polar pattern and consistent suppression of off-axis sound, making it ideal for live and studio broadcast when audio focus is called for.

  • AKG CK94 High Performane Figure 8 Condenser Microphone Capsule

    The AKG CK94 High Performance Figure 8 Condenser Microphone Capsule is part of the Blue Line Series of high performance, small diaphragm, interchangeable, condenser microphone capsules which work exclusively with the SE300 B pre-amp module. The five interchangeable capsules in the series include the CK91,CK92,CK93, CK94 and CK98 and are distinguished by their polar patterns. This CK94 capsule has a figure 8 polar pattern which has a high rejection of sound from the side. Modulock coupling allows for quick changing of the all the capsules in this Blue Line Series and self-cleaning contacts ensure reliability and longevity.

    The CK94 microphone is of rugged construction, with a smooth and well-balanced frequency response, high gain before feedback, a figure 8 polar pattern make it the perfect tool for applications where sound sources face each other, as in broadcast-interview and roundtable situations or as a side microphone in M/S stereo technique.
    It is carefully handcrafted in Vienna, Austria.

  • AKG CK97 Reference Lavalier Microphone

    The AKG CK97 Reference Lavalier Microphone is ideal for live-sound capture with minimum ambience pickup and high gain before feedback. It’s consistent cardioid pattern is well suited for broadcast, theater, lecture and worship. Its discreet housing and durable clip secures inconspicuously to clothing and costumes.

    The CK97 C/L uses a three-pin mini XLR connector that fits the body pack transmitters of all AKG wireless microphone systems.

    Features::

    - Cardioid accurate axial response and uniform pattern control for uncolored sound quality and high gain before feedback
    - 125° pickup angle for inexperienced or very vivacious talkers
    - Professional three-pin, mini XLR connector fits all AKG wireless pocket transmitters

    Specifications::

    - Audio frequency bandwidth: 150 to 18000 Hz
    - Equivalent noise level: 28 dB-A
    - Sensitivity: 40 mV/Pa
    - Signal to Noise: 66 dB-A
    - Electrical impedance: 4000 Ohms
    - Recommended load impedance: 10000 Ohms

  • AKG CK98 High Performance Short Shotgun Condenser Microphone Capsule

    The AKG CK98 High Performance Short Shotgun Condenser Microphone Capsule is part of the Blue Line Series of high performance, small diaphragm, interchangeable, condenser microphone capsules which work exclusively with the SE300 B pre-amp module. The five interchangeable capsules in the series include the CK91,CK92,CK93, CK94 and CK98 and are distinguished by their polar patterns. This CK98 capsule has a tight polar pattern which can achieve acoustic separation without the use of sound barriers. Modulock coupling allows for quick changing of the all the capsules in this Blue Line Series and self-cleaning contacts ensure reliability and longevity.

    The CK98 microphone is of rugged construction, with a smooth and well-balanced frequency response, high gain before feedback, a shotgun pattern with high sensitivity, controlled directivity and fantastic reach. Put it to work in ceilings or stage edges, or make use of its light weight at the end of a boom pole. Handcrafted in Vienna, Austria.

  • AKG Drum Set Concert 1 Professional Drum Microphone Set

    The AKG Concert 1 Drum Microphone Set is composed of 7 premium microphones with maximum SPL handling for touring, live performance, and studio recording, complete with a travel ready, durable travel case. It is ready to plug and play and capture a complete drum kit, or to mic your bass and guitar amps, percussion, woodwinds and other instruments, with five dynamic and two condenser microphones plus all clamps and stand adaptors. The full range of microphones includes:

    1 legndary D112 MKII bass drum microphone
    2 compact C430’s for overheads
    4 popular D40’s for toms and snare

    MICROPHONES

    D112 MKII bass drum microphone:
    - The next generation of the legendary bass drum mic
    - Over 160 dB max SPL handling
    - Bass resonance volume chamber for punchy sound that cuts through the mix
    - Integrated flexible stand adapter for easy mounting

    D40 for toms and snare:
    - Dual-thickness Varimotion diaphragm provides crisp and powerful sound
    - Designed for high sound pressure levels—up to 156 dB
    - Integrated stand adapter for easy mounting

    C430 for overheads:
    - Delivers excellent audio quality in an extremely compact size
    - Cardioid condenser capsule picks up individual timbres in great detail
    - Phantom or battery power options

    INCLUDED ACCESSORIES
    4x H440 adapter plate for D40
    2x P17 stand adapter for C430

  • AKG Drum Set Premium Reference Drum Microphone Set

    The AKG Drum set Premium Reference Drum Microphone Set is composed of 8 premium microphones for touring, live performance, and studio recording, complete with a travel ready, durable travel case. It is ready to plug and play with five dynamic and three condenser microphones plus all clamps and stand adaptors. The full range of microphones includes:

    1 x D12 VR dynamic bass drum microphone
    1 x C214 matched pair condenser microphones for overheads
    1 x C451 B condenser microphone for Hi Hat
    4 x D40 dynamic instrument microphones for snare and toms

  • AKG Drum Set Session 1 High-Performance Drum Microphone Set

    The AKG Session I Drum Microphone Set is composed of 7 premium microphones with maximum SPL handling, all the clamps and adaptors you could need and a protective case for gigs shows and rehearsals. The 5 dynamic and 2 condenser mics are ready to plug and play and capture a complete drum kit, or to mic your bass and guitar amps, percussion, woodwinds and other instruments.

    The full range of durable microphones includes:

    1 x P2 bass drum microphone
    2 x P17* for overheads
    4 x P4 for toms and snare
    *The P17 is technically identical to the P170 and is not available as a single unit.

    P2 bass drum microphone:
    - Powerful sound with profound bass range
    - Capsule withstands extreme sound pressure levels
    - Built-in hum compensation coil rejects EMC disturbance
    - Integrated stand adapter for easy mounting
    P4 for toms and snare:
    - For sound pressure levels up to 152 dB
    - Flat and sweet frequency response reproduction of your instrument’s sound
    - Integrated stand adapter for easy mounting
    P17 for overheads:
    - Rugged all-metal body and robust design
    - Switchable attenuation pad for high SPL applications up to 155 dB SPL

    INCLUDED ACCESSORIES
    4x H440 adapter plate for P4 2x P17 stand adapter

  • AKG SE300 B

    The AKG SE300 B High Performance Microphone Pre-Amp works exclusively with the five capsules in the Blue Line Series including the CK91, CK92, CK93, CK94 and CK98. This system is designed for excellent audio quality and maximum flexibility. The Modulock coupling system, along with self-cleaning contacts for reliability and longevity, inspires quick capsule interchangeability. The unit also features high immunity to stray radio frequency interference.

    Features ::

    Switchable attenuation pad for high SPL applications up to 144dB
    Switchable bass-cut filter eliminates rumble or footfall noise
    Universal phantom powering from 9V to 52V for operating with phantom power supply
    Robust Modulock™ bayonet design allows quick and easy changing of the capsules

    Specifications ::

    Audio frequency bandwidth: 20 to 20000 Hz
    Signal to Noise: 77 dB-A
    Preattenuation Pad: 10 dB
    Bass cut filter: 75 Hz
    Recommended load impedance: 1000 Ohms

  • C568 B Professional Small Condenser Shotgun Microphone

    The AKG C568 B Professional Small Condenser Shotgun Microphone is at home in theatres and houses of worship, or put it to work on TV or film sets, as the condenser capsule combines high directivity and a wide frequency range. With its compact and lightweight design, the C568 B also begs to be mounted to a camera.

    The C568 functions as a hypercardioid mic below 500Hz, and above the 500Hz threshold its acoustic interference tube is geared for directional use. A switchable 12dB/octave 120Hz bass roll-off filter effectively suppresses impact and wind noise. The C568 B's rugged, all-metal body contains the built-in pre-amp, which requires 9-–52V phantom power. An integrated, switchable bass roll-off filter minimizes mechanical noise and the interference tube design provides maximum noise attenuation. The package includes a special foam windscreen as well as a stand adapter.

    Specifications::
    Audio frequency bandwidth: 20 to 20000 Hz
    Equivalent noise level: 18 dB-A
    Sensitivity: 11 mV/Pa
    Signal to Noise: 76 dB-A
    Bass cut filter: 120 Hz
    Electrical impedance: 600 Ohms
    Recommended load impedance: 2000 Ohms

  • CK69 ULS Reference Small Condenser Microphone Shotgun Capsule

    The AKG CK69 ULS Reference Small Condenser Microphone Shotgun Capsule features tandem shotgun mics to instantly switch from long to short distance applications. This tandem is perfect for film/TV/broadcast indoors and outdoors, as well as live recording in a concert setting or interviews on noisy locations with challenging dynamics. Or, just bring it into the studio and put it to work for you there.

    Handmade in Vienna, Austria to the highest standards, the CK69 ULS works exclusively with the C480 B pre-amp. To ensure an extra-long life and a reliable connection, the capsule is equipped with large-area, self-cleaning, gold-plated contacts and accommodates maximum noise attenuation.

    Specifications::

    Audio frequency bandwidth: 20 to 18000 Hz
    Equivalent noise level: 9 dB-A
    Sensitivity: 27 mV/Pa
    Signal to Noise: 85 dB-A
    Electrical impedance: 150 Ohms
    Recommended load impedance: 2000 Ohms

  • D230 HIgh-Performance Dynamic Eng Microphone

    The AKG D230 HIgh-Performance Dynamic Eng Microphone is a go to in the field of broadcast news with its omnidirectional polar pattern, effective windscreen for outdoor use, rugged construction, non-reflective surface, long hand-grip shaft and ability to collect audio effectively at all speech distances.

    Specifications:

    Audio frequency bandwidth: 40 to 20000 Hz
    Sensitivity: 2.5 mV/Pa
    Electrical impedance: 320 Ohms
    Recommended load impedance: 1000 Ohms
    Polar Pattern: omnidirectional

  • Earthworks - FW430 4.7 Foot Cardioid FlexWand with cast-iron base

    Earthworks FW430 Cardioid FlexWand microphone with cast-iron base

    The FlexWand™ is a combination of a 30kHz High Definition Microphone™ and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 4.7 feet and as low as 10 inches from the floor or anywhere in between. There are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand™ is the ideal solution for applications where the utmost in sound quality and a low profile is required. Now you don’t have to find a mic, attach the mic clip to the stand and then dress the cable around the stand. Just pick up the FlexWand™, position it and plug the mic cable into the base.

    • Uniform frequency response on or off axis
    • Frequency response of 30Hz to 30kHz
    • Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
    • Large flex section near the center of the stand that couples the stand and the wand
    • Mini-gooseneck between the end of the wand and the microphone head
    • Substantial improvement in gain before feedback
    • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
    • Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
    • The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
    • The sturdy 12 pound cast iron base will not allow the FlexWand™ to be accidentally knocked over

     

    Frequency Response: 30Hz to 30kHz ±2dB at 6 inches (15cm)

    Polar Pattern: Cardioid or Hypercardioid

    Sensitivity: 10mV/Pa (-40dBV/Pa)

    Power Requirements: 48V Phantom, 10mA

    Max Acoustic Input: 145dB SPL

    Output: XLR (pin 2+)

    Output Impedance: 100Ω, balanced (50Ω ea. pin 2 & 3)

    Min Output Load: 600Ω between pins 2 & 3

    Noise: 22dB SPL equivalent (A weighted)

    Positioning Range: From 10 inches to 4.7 feet above floor level

    Dimensions: Stand 4’7″ (1.39m); Base 12″ (30.5cm) in diameter, 1.1″ (2.7cm) high

    Weight: Stand 2 lbs (.9kg); Cast iron base 12.6 lbs (5.7kg)

  • Earthworks - FW430/HC 4.7 Foot Hypercardioid FlexWand with cast-iron base

    Earthworks FW430/HC FlexWand Hypercardioid Microphone

    The FlexWand™ is a combination of a 30kHz High Definition Microphone™ and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 4.7 feet and as low as 10 inches from the floor or anywhere in between. There are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand™ is the ideal solution for applications where the utmost in sound quality and a low profile is required. Now you don’t have to find a mic, attach the mic clip to the stand and then dress the cable around the stand. Just pick up the FlexWand™, position it and plug the mic cable into the base.

    • Uniform frequency response on or off axis
    • Frequency response of 30Hz to 30kHz
    • Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
    • Large flex section near the center of the stand that couples the stand and the wand
    • Mini-gooseneck between the end of the wand and the microphone head
    • Substantial improvement in gain before feedback
    • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
    • Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
    • The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
    • The sturdy 12 pound cast iron base will not allow the FlexWand™ to be accidentally knocked over

     

    Frequency Response: 30Hz to 30kHz ±2dB at 6 inches (15cm)

    Polar Pattern: Cardioid or Hypercardioid

    Sensitivity: 10mV/Pa (-40dBV/Pa)

    Power Requirements: 48V Phantom, 10mA

    Max Acoustic Input: 145dB SPL

    Output: XLR (pin 2+)

    Output Impedance: 100Ω, balanced (50Ω ea. pin 2 & 3)

    Min Output Load: 600Ω between pins 2 & 3

    Noise: 22dB SPL equivalent (A weighted)

    Positioning Range: From 10 inches to 4.7 feet above floor level

    Dimensions: Stand 4’7″ (1.39m); Base 12″ (30.5cm) in diameter, 1.1″ (2.7cm) high

    Weight: Stand 2 lbs (.9kg); Cast iron base 12.6 lbs (5.7kg)

  • Earthworks - FW430/HC-TPB 4.7 Foot Hypercardioid FlexWand with tripod base

    FW430/HC-TPB Hypercardioid Tripod Base

     

    The FlexWand™ is a combination of a 30kHz High Definition Microphone™ and a low profile microphone stand and boom as a single unit. It allows the microphone head to be positioned as high as 4.7 feet and as low as 10 inches from the floor or anywhere in between. There are no visible wires or cables above floor level. Visually it is low profile, smooth, sleek and clean. The FlexWand™ is the ideal solution for applications where the utmost in sound quality and a low profile is required. Now you don’t have to find a mic, attach the mic clip to the stand and then dress the cable around the stand. Just pick up the FlexWand™, position it and plug the mic cable into the base.

    • Uniform frequency response on or off axis
    • Frequency response of 30Hz to 30kHz
    • Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
    • Large flex section near the center of the stand that couples the stand and the wand
    • Mini-gooseneck between the end of the wand and the microphone head
    • Substantial improvement in gain before feedback
    • They will handle high sound pressure levels with high rejection of sounds to the rear of the microphone
    • Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra
    • The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
    • The sturdy 12 pound cast iron base will not allow the FlexWand™ to be accidentally knocked over

     

    Frequency Response: 30Hz to 30kHz ±2dB at 6 inches (15cm)

    Polar Pattern: Cardioid or Hypercardioid

    Sensitivity: 10mV/Pa (-40dBV/Pa)

    Power Requirements: 48V Phantom, 10mA

    Max Acoustic Input: 145dB SPL

    Output: XLR (pin 2+)

    Output Impedance: 100Ω, balanced (50Ω ea. pin 2 & 3)

    Min Output Load: 600Ω between pins 2 & 3

    Noise: 22dB SPL equivalent (A weighted)

    Positioning Range: From 10 inches to 4.7 feet above floor level

    Dimensions: Stand 4’7″ (1.39m); Base 12″ (30.5cm) in diameter, 1.1″ (2.7cm) high

    Weight: Stand 2 lbs (.9kg); Cast iron base 12.6 lbs (5.7kg)